Compare the Effects of the Use of Different Narrative Voice in Miramar and Devil on the Cross Essay Example for Free

Compargon the Effects of the Use of Different Narrative persona in Miramar and Devil on the violate EssayIn both Ngugis Devil on the Cross and Naguibs Miramar we see a roleistic subprogram of polyphony to convey both the political stances and social viewpoints of the authors. Although, the use of this literary technique differs between the two novels, the authors both have the same intent of persuading the reader to agree with their personal stand-point.Ngugis use of this literary narrative technique consists of describing the argument that he is attempting to put across to the reader, from the perspective of all of the sheaths to acquaint it in a light that leaves no room for reasonable doubt, where upon in Miramar Naguib manipulation of the narrative is more(prenominal) subtle at commenting upon the social class divides and barriers in the Egyptian society of the era in which it was written. To consider now, how this use of polyphony affects the readers of Miramar the aim of Naguib must first be questi unmatchedd. Upon interpretation the character Zohra can be seen as a crucial part of the novel despite not having a section to narrate her side of the story. The reason for this could be that Naguib wanted to use Zohra as a token for his notion of an ideal, modern Egyptian. Being a religious Egyptian himself, there are evident influences of his native culture, in the theatrical of this ideal Egyptian, Zohra.However, this concept of Zohra being a semiotic for Egypt is not the only point to consider whilst interpreting the narrative structures impact rather, it is the fundamental interaction between Zohra and the different narrators in the novel, that is crucial to analyse . This is especially important, as the different narrators are all from different backgrounds and can be clearly discerned as re set upations of the different Egyptian social classes. The intention of Naguib could most definitely be, to help the reader understand the varying lives of tidy sum from the different social classes in Egypt and the problems that develop because of these divides.An interpretation as to the reason why Zohra doesnt have her own section to narrate could be because of the fact that, as stated previously, she is the symbol of Egypt, and kind of simply she represents the struggle Egypt faces when fairly telling its own story. Instead of being given the chance to speak freely the novel is only told by citizenry who have been influenced by the Wafd or the revolution or even the colonists, and therefore they are tainted, and no longer considered pure of mind.There is an unmistakable feeling of Naguibs animosity towards the way times have changed. This bitterness is especially impressed upon the reader regarding the new beliefs that people should be separated into social class groups and is present throughout the narrative of each character. Especially in Amer Wagdis narration, as the reader can almost imagine Naguib speaking in place o f Amer when describing that they are foolish obstacles that separates Zohra from her love, Sarhan, because although times have changed, young men havent changed. In a similar style to Naguib, Ngugi also uses a female character to symbolise his country.In Devil on the Cross Wariinga is clearly intended to be interpreted by Ngugi as a symbol of Kenya and Ngugi has also, like Naguib, apply the narrative to help enhance the emblematical interpretation of the interaction between Wariinga and the characters around her. However, Ngugis use of autobiographical narrative is highly differentiated from Naguibs in the sense that Ngugi merges the narrative voice unnoticeably into the tone of the character in which he is focusing on. Ngugi does this especially in the Matatu chapter of the novel.This is a highly emblematical scene, used to portray the perspectives of each character, and these perspectives are particularly important as each character is an exemplary representation of the differe nt social classes and backgrounds in Kenya. As this autobiographical narrative is used, it makes the reader empathise more and become more emotionally attached to the characters because they can relate personally, where as attempting to relate to the masses of people that these characters are representation would depersonalise the interaction Ngugi is trying to achieve between the reader and the story.Wangari, a character who is easily recognised as a symbol for the Old Kenya and the Old Haraambe is a clear example of this shift into an autobiographical narrative as her thoughts are written to the reader, revealing a greater shrewdness into there character than is otherwise normal, this is particularly important as her saga tells the story of the Kenya before the colonists. It is through her history that the audience is able to discern the passionate feelings Ngugi holds of resentment towards the capitalist society that Kenya has become.Focusing more on this conviction of scorn hel d by Ngugi, the Matatu is also a vastly important chapter of Devil on the Cross because of its use of Socratic dialogue. Likewise to Naguib, Ngugi uses a character of his plot as a medium to express his feelings towards what his country has evolved to. Considering now Wangari, the poor, woman who, wore no fit out and fought for the countrys independence is definitely the mouthpiece for Ngugi as he himself has fought and is still fighting, even with this novel, for the independence of Kenya.Moreover, the juxtaposition of this Socratic dialogue is even more effective as it is placed in direct opposition to the materialistic, and greedy views of Mwaura, the foreign minded matatu driver who measures Independence not by the tales about the past only if the sound of money in ones pocket a parallel with this character can clearly be drawn between him and one of the people in Western suits, who took the devil off the cross. Contrastingly, unlike Devil on the Cross, Miramars revolutionist s, are not fighting the same cause, and are in fact met with the same praise as Wangari was by the rest of the Kenyans in the matatu.The revolutions of Miramar are, although quite central to the plot, often talked about but in time never given a voice of their own. These revolutionists goal in Miramar isnt as simple as encouraging the revolution, however, they are in fact symbolic of the greater problems in Egypt, because the characters never verbally oppose the revolution (the problems in Egypt since the colonial occupation) as they are afraid of the outcome, however, in their hearts they know it go out never work.Another crucial point in assessing the novel is the way in which Naguib manipulates the narrative is through the language used by each character helps to shift the tone of the narrative. It is crucial in understanding the feelings Naguib has towards this social class. For example, minor sentences showed in the free indirect discourse in the opening of Hosny Allams dist inguish helps to create a good impression to the reader of what this characters temperament will be.The progeny of whores who push you noses in the mud described right-hand(a) in the opening paragraph is more than enough to nderstand that Hosny Allam is a bitter character. To interpret this further, the reader can also question accordingly, the social class in which Hosny Allam the gentleman of property represents and uses the portrayal of his character to interpret the feelings held by Naguib towards this social class. As Naguib has deliberately used mainly pejorative vocabulary in the phrase structure of Hosnys it is clear that he wants the readers to dislike this character and therefore have negative feelings towards people of his class.In conclusion, after a close analysis of the literary techniques coinciding with the narrative structures and styles used by both Naguib and Ngugi, it is more than plausible to say that these two novels are both highly critical and greatly litt le in not only their poetic language used but the significant features of their intricately structured narrative and they more than achieve their aims of informing the valet of their political stance against corruption.